horror
From Tribeca Film Festival Payton McCarty-Simas pairs two films, one an ode to midnight movies past, with another paean to movie obsessives.
While not as gory or jumpy as a modern horror movie, The Cabinet of Dr Caligari is definitely a horror movie.
Sadly, the film’s attempts to generate tone and intrigue can’t overcome the obstacles of a weak, confusing script.
If you like the stories of Stephen King or you just like to be scared, this is something you should really be checking out.
Bad Things struggles with its interactions, yet excels in its horror.
The Black Demon is so bad that it actually ends up being great.
Grounded by the incredible performance of Sissy Spacek and the masterful direction of De Palma, Carrie is a horror masterpiece that defies convention.
The Wrath of Becky still aims and hits the mark for a playful but brutal massacre.
Beyond the North Woods offers hope for local, micro budget filmmaking to reinvigorate even the most familiar of premises, turning content back into art.
Goodnight Mommy is a decent horror vehicle, designed to entertain but lacking the stamina and direction to terrify.
Beau is Afraid is an aggressive, arguably juvenile film that throws everything at the wall, and truly needs to be seen to be believed.
It has been 90 years since the release of The Invisible Man and much of the film holds true in spite of its age.
Dead Ringers proves not only the power of the limited series but the ability to successfully remake a classic for a new age of viewers.
When you go to see an Evil Dead movie you kind of have an idea of what you’re in for, and we get that, but Evil Dead Rise also gave us so much more.
While the film may be what you expect, if you’re a fan of horror or Russell Crowe, or better still a fan of both, this movie is a must see.