horror
Eyes Without a Face packs some surprises that hold even in the face of time.
Hell of a Summer is a campy blast of a film, blending the nostalgia of 80s camp slashers with coming-of-age teen comedies.
Stories about college professors are popular at this year’s Toronto International Film Festival, with both Hit Man and Dream Scenario being examples.
A Haunting in Venice is a new direction, going for something more creepily claustrophobic, but doesn’t quite nail the landing.
For this Toronto International Film Festival, Wilson Kwong reviews the Critic and Humanist Vampire Seeking Consenting Suicidal Person.
Korean Cinema’s Golden Decade: The 1960s brings together an eclectic assortment of films covering many genres, directors, and performers.
If you like horror or mystery or just like to be kept guessing, then this is a movie that you’re going to need to see.
While Haunting of the Queen Mary may struggle to find its sea legs, it culminates into an epic voyage of terror and twists.
While thus far, I have delivered my thoughts in the showcases, in my last report, there’s a little bit of everything.
From demonic possessions to haunted polaroids, from motherhood to neocolonialism, the HollyShorts horror section has a taste of it all.
The Last Voyage of the Demeter turns in a light Dracula voyage too bound by its stock itinerary to sail into more adventurous waters.
While nowhere near as successful as the Conjuring franchise in popularity or quality, The Haunting in Connecticut proves itself entertaining.
Prey offers an excellent example of less being more, especially in a series long known for its over-the-top dialogue and gory violence.
The Descent: Part 2 falls within the overflowing pot of sequels made for the sake of making a sequel.
The Descent is a film you literally feel, in a league all of its own.