horror
Believer wields the Exorcist saga poorly by vomiting so much at the screen and leaving little more than a mess of themes and characters.
It’s Friday the 13th – and Horrific Inquiry knew exactly which film it had to tackle!
In the latest report from LFF 2023, Paddy Wilson features vampires at Paul Mescal’s door and devils in David Dasmalchian’s studio – a divine combination if ever there was one.
The Fall of the House of Usher further solidifies Flanagan’s mastery of his craft and serves as a testament to the talent he surrounds himself with.
A cheesy holiday horror that doesn’t try to be anything more than it knows it is, There’s Something in the Barn is wildly entertaining.
While The Wolf Man may not have stood that test of time, but it is a classic film that would lay the ground work for wolves to come.
Mushrooms is a dark fairy tale, reverberating elements of the Brothers Grimm while grounding its revelations in modern horror.
When Evil Lurks proves itself a visceral horror that will get under your skin.
Eyes Without a Face packs some surprises that hold even in the face of time.
Hell of a Summer is a campy blast of a film, blending the nostalgia of 80s camp slashers with coming-of-age teen comedies.
Stories about college professors are popular at this year’s Toronto International Film Festival, with both Hit Man and Dream Scenario being examples.
A Haunting in Venice is a new direction, going for something more creepily claustrophobic, but doesn’t quite nail the landing.
For this Toronto International Film Festival, Wilson Kwong reviews the Critic and Humanist Vampire Seeking Consenting Suicidal Person.
Korean Cinema’s Golden Decade: The 1960s brings together an eclectic assortment of films covering many genres, directors, and performers.