horror
In this interview with Camera Obscura actress Nadja Bobyleva, we discuss what’s different about playing in a horror film over other genres.
Alien: Covenant takes a valiant attempt at re-creating the magic from the original, but ultimately falters from screenplay to screen.
Brace yourselves, for Australian horror Hounds Of Love is the most terrifying torture porn film since the genre’s inception.
With an interesting premise & gorgeous visuals, A Cure For Wellness sadly gets bogged down by its 130 minute runtime and poor story delivery.
Film to some is much more than a hobby, but a lifestyle. Sometimes it can…
Before I Wake feels like a parody of director Mike Flanagan’s more successful work, prioritising emotional manipulation over story and scares.
James Gunn has made a name for himself for his gloriously offensive yet emotionally poignant films; here is a rundown of his filmography.
With poor direction, effects and performances across the board, The Black Room is unbearably difficult to sit and watch.
In this beginner’s guide, we discuss John Carpenter’s work – spanning the duration of his career in skillfully frightening his audience.
The Bar is a predictable story that constantly betrays its established characters in order to service the cynical narrative.
Two great performances are wasted in Rupture, a mess of a horror movie which sets up mysteries it doesn’t even know how to answer.
In our latest interview, we talk with director Michael McQuown, whose latest work is the anthology horror film The Dark Tapes.
Julia Ducournau’s debut RAW doesn’t deserved to be labelled as “barf bag” cinema, as this is one of the best horror debuts in recent memory.
Indie low-budget vampire horror Night Kaleidoscopee has solid visuals but this is not enough to cover up its paper thin characters and story.
With The Devil’s Candy, provocative Australian director Sean Byrne proves he is one of the best genre filmmakers working today.