horror
With Saw V, the Saw franchise firmly waved goodbye to logic, with plot contrivances that make the film closer to sci-fi than horror.
In response to Mexico’s sexual conservatism, director Amat Escalante cooked up The Untamed, a film which has to be seen to be believed.
You’ll find it hard to obey the rules of this film’s title when watching, as even the positive elements can’t stop Don’t Sleep being a slog.
Darren Aronofsky’s Mother! is a unique and confusing experience that will stay with you, long after the film has ended.
Saw IV goes even bigger than its predecessors, but with the loss of the franchise’s main writer, the story loses much of its oomph.
The Atoning is an unoriginal, predictable, and underwhelming independent horror film, nothing you haven’t seen before but done much better.
mother!, Darren Aranofsky’s polarizing film, is doing poorly at the box office – just what does that mean for the future of studios?
Rob Zombie is one of the more well-known B-horror filmmakers working today, his films a glorification of campy fun and violence.
Despite its great practical effects, the once compelling twists have now become overdone in Saw III and are not as shocking as they once were.
It is a wonderfully acted and gruesome adaptation of King’s novel, even if the scares sometimes detract from its overall effectiveness.
Saw II might not be as strong or as fresh as its predecessor, but it has enough about it that works, making it a guilty pleasure watch.
Nina Gielen’s supernatural drama Arts & Crafts is gaining attention on Seed & Spark. She talked to Film Inquiry about the film’s creation.
Predictable, overbearing, and generic, Ghost House is a film that is lacking in all the essential ingredients that make up a great horror.
Though choppy and unfocused, with campy and cringeworthy acting, The Evil Within it has a certain charm behind its bizarre facade.
The Limehouse Golem finds ways to toy with you at every turn, making it entertaining viewing despite its seemingly conventional premise.