horror
Walking Out, by the Smith twins, is an unrelenting and beautifully shot story of a father and son surviving in the brutal Montana wilderness.
Flatliners is a terrible remake of an already bad movie, whose basis is genuinely interesting but the vision poorly conceived.
Mike Flanagan’s Gerald’s Game, though not quite as dark as its source material, still showcases his talent for immersive horror film-making.
At NYFF, the series calls Genre Stories contains a plethora of short films, from sci-fis to horror, and made from a diversity of backgrounds.
After spending three years in post-production purgatory, Friend Request arrives in US cinemas – and is certainly not worth the wait.
With Saw V, the Saw franchise firmly waved goodbye to logic, with plot contrivances that make the film closer to sci-fi than horror.
In response to Mexico’s sexual conservatism, director Amat Escalante cooked up The Untamed, a film which has to be seen to be believed.
You’ll find it hard to obey the rules of this film’s title when watching, as even the positive elements can’t stop Don’t Sleep being a slog.
Darren Aronofsky’s Mother! is a unique and confusing experience that will stay with you, long after the film has ended.
Saw IV goes even bigger than its predecessors, but with the loss of the franchise’s main writer, the story loses much of its oomph.
The Atoning is an unoriginal, predictable, and underwhelming independent horror film, nothing you haven’t seen before but done much better.
mother!, Darren Aranofsky’s polarizing film, is doing poorly at the box office – just what does that mean for the future of studios?
Rob Zombie is one of the more well-known B-horror filmmakers working today, his films a glorification of campy fun and violence.
Despite its great practical effects, the once compelling twists have now become overdone in Saw III and are not as shocking as they once were.
It is a wonderfully acted and gruesome adaptation of King’s novel, even if the scares sometimes detract from its overall effectiveness.