horror
At times mysterious and intoxicating, Holy Terrors is an above average supernatural horror anthology – but it most definitely has its flaws.
Jigsaw may not be the worst installment in the Saw saga, but with essential pieces to the puzzle missing, there was much to be desired.
1922 is a movie experience that does its due diligence to fester, just like the body that resides at the center of Wilfred’s shame.
Creep 2 takes the comedy and emotional performances of its predecessor to create something entirely new and unique.
A reworking of The Little Mermaid, Agnieszka Smoczynska’s The Lure is quite a unique and often spectacular cinematic treat.
Mayhem is a culmination of film, art, historical and current affairs references, genre juxtapositions, and effective stylized filmmaking.
Evil Dead 2 succeeds in finding the twisted humor within the horror genre and makes the film a memorable exercise of cartoonish entertainment.
The ensemble may be the only thing of interest in The Ritual, which is otherwise riddled with clichés and saddled with an uninspired story.
Despite a strong premise, The Unraveling is a film that doesn’t quite go to that dark place that it should, with poor writing and acting.
Every year, between five to ten movies are bestowed the honor of being nominated by…
In this in-depth analysis of Julia Ducournau’s Raw, Sophia touches on themes of sexuality, biblical references, and BDSM, among others.
It’s almost Halloween, so the Film Inquiry writers tell about the films that truly scared them. Even traumatised them.
Despite belonging in the overdone sub-genre of found footage, Hell House LLC manages to just stand out amongst the masses.
Happy Death Day is a fun slasher film that likens back to the slasher days of old, albeit with a Groundhog Day twist.
The Snowman, though with talent behind its production, ended up being an unfortunately jumbled and incoherent mess of a film.