horror
Despite a premise which would beckon horror fans and cinephiles alike, Death House doesn’t deliver. Its many references and horror icons don’t contribute much to a story that is far too caught up in itself to be any fun.
Annihilation is best viewed as a trip deep into an otherworldly house of horrors, offering a deliberately illogical twist on the formula of horror movie storytelling.
We delve into the works of Carl Theodor Dreyer, the Danish director that is behind some of the greatest masterpieces in cinema, among them Vampyr, Gertrud and The Passion of Joan of Arc.
Predictable and boring, Leatherface fails to give viewers and fans of the franchise a gripping, riveting, startling movie on how a serial killer family is born.
Unsane has been filmed with an iPhone, giving the picture a paranoia-fuelled low-fi fuzz. This is more than just a marketing gimmick, as Soderbergh’s film centers on the idea of stalking – a timely focal point considering the mass of sexual allegations that Hollywood has found itself mired in.
The Lodgers never quite meets its potential. This is the kind of Gothic horror mystery that has been done before, better, but that keeps us optimistic for the future of those involved.
We had a chance to speak with Sam Keeley, star of the upcoming horror film The Cured. We spoke about his career, his influences, working with Ellen Page and David Freyne, and what project he’s excited about in the future.
The Cured is a fantastic zombie film with intelligent writing, precision direction, top-tier acting, and sincere sociopolitical themes and parallels that are essential in elevating horror films to something greater than just scares and gore.
We were able to talk with Neville Pierce, film journalist turned filmmaker, director of the short films Lock In, Ghosted, and Bricks.
The accomplished acting, stunning cinematography, and solid direction keeps Rift constantly engaging and steeped with talent, absolving it of its genre short-comings.
Still/Born is able to successfully convey its material in large part due to the powerful performance of Christie Burke. We were able to speak with Brandon Christensen, director of the horror film Still/Born, which premiered on February 8th!
While by no means without its faults, The Midnight Man, from director Travis Zariwny, is a good time horror film that fans of the genre will love.
Living Among Us is a poorly planned improviso, lacking direction, depth, story, character development and the ability to engage the viewer.
Like Me is a visual spectacle that delves into the dark underbelly of social media, showing the lengths that people will go to in order to feel accepted on the internet.
The Cloverfield Paradox is helped along through a clever use of viral marketing, but it’s not enough to save an otherwise generic and messy sci-fi thriller.