horror
In Darkness could have been an exciting thriller with a complex, well-written female protagonist but it instead ends up being a convoluted and messy misfire.
Dominic Brunt’s horror comedy Attack of the Adult Babies is equally versed in British toilet humour and the classics of the horror genre.
In Films of The New French Extremity, Alexandra West studies French horror films which are known for graphically brutal depictions of sex and violence.
Sarah Paulson fits the criteria of great actors. She has range and stamina, two incredibly important things to have in Hollywood.
Just like his earlier short, Hereditary feels like nothing more than a provocation, updating the parental anxieties of Rosemary’s Baby for the modern era — and adding no substantial allegory that makes it feel any deeper than this.
In a world full of soulless remakes, Luca Guadagnino’s Suspiria is one that has the potential to be fresh, exciting and unique.
In our latest Away From the Hype, we examine The Blair Witch Project, seeing if the classic found footage horror still holds up after all this time.
Truth Or Dare has nothing to offer to horror fans with its bland characters and uninspired concept. The only way you should be seeing this movie is on a dare.
Both The Night Eats the World and Cargo, despite their differing subjects and approaches, manage to bring both meat and brains to the zombie film.
Premiering at this year’s Tribeca Film Festival, Justin P. Lange’s The Dark is an ingenious reinvention of the zombie genre, bringing a new rage monster to the cinematic screen and exhibiting what anger and fear truly is. This is a film you will not soon be forgetting.
We were able to talk with Justin P. Lange and Nadia Alexander about the inspiration for and experiences during the filming of The Dark.
In The Dark, a flesh-eating young girl haunts the woods where she was murdered, as a murderer herself. When she discovers an abused kid inside the trunk of a car, her decision to let the boy live throws her existence into upheaval.
From Forbidden Planet to Frogs, there’s nothing like a good ole sci-fi/horror picture. But among all my beloved flicks, Killer Klowns From Outer Space reigns supreme; it also happens to be this film’s 30th anniversary.
From the 2018 Tribeca Film Festival, Kristy Strouse reviews Alia Shawkat’s new film Duck Butter, the film starring Taika Waititi as a cult leader, Seven Stages To Achieve Eternal Bliss By Passing Through The Gateway Chosen By The Holy Storsh and the Martin Freeman zombie vehicle, Cargo.
Director Adam MacDonald mostly succeeds with Pyewacket being a simple, heartfelt tale focusing on the disintegration of a mother/daughter bond, without too much background noise as a distraction.