horror
Patient Zero has many of the elements of a good movie, just put together in a janky and unfortunate manner.
Gareth Evans delivers another gem with Apostle, and the Blumhouse-produced Cam is a satisfying watch despite its weak payoff.
In this entry of Mental Illness In The Movies, we discuss Hereditary, delving into how the film could be interpreted as an allegory for the fears of neurodivergent families.
We spoke with director Ramaa Mosley about her new film Lost Child, and about just going out there and making the movie you want.
Nicolas Cage stars in Between Worlds and Tunisian filmmaker Abdelhamid Bouchnak delivered an excellent horror – this is our second report from Austin’s Fantastic Fest.
Luca Guadagnino’s remake of Dario Argento’s Suspiria seeks to get under your skin, intimately and irreversibly – and succeeds in doing so.
With a minimal budget, Mara will satisfy an audience that enjoys jitters, with just enough scares that as you leave the theatre you might dread your next bout of sleep paralysis.
Summer of ’84 may have been passed over as a cheap Stranger Things knockoff, but there is surprising depth to it if you look beneath the surface.
The Toybox rises above being completely predictable with some interesting cinematic choices, and the decision to be unapologetically gruesome.
Castle Rock ended on par with a season filled with mysteries, concluding a story filled with intriguing Stephen King lore.
Mandy continues to establish Cosmatos’ many predilections as a visual stylist and storyteller, albeit in a significantly more successful package.
Frank H. Wu’s mother, an immigrant from China via Taiwan, used The Shining to teach about right and wrong to her young son.
Lizzie may be a fictional tale of a real-life crime that we will never fully know the truth of, but it sure is an intriguing and especially a well-designed one.
The latest episode of Castle Rock, “Henry Deaver”, dives further into the mystery behind the character, providing us with an alternative, intriguing world.
With adequate locations and a potentially interesting atmosphere, The Nun creates a darkly lit ordeal that is one silly “nun-sensical” roller coaster ride of jump scares.