horror
We spoke with writer and director Boaz Yakin about his upcoming horror film Boarding School, whose story transcends that of a traditional horror.
Boarding School follows in suit with the continued reinvigoration of the horror genre, breaking away from the cliché and introducing new scares.
We break down the career of Winona Ryder, showcasing her talent for the horror genre and more over her 30+ years in front of the camera.
The Little Stranger is a demanding but absorbing thriller – it will not spoon feed you scares, and it’s all the better for it.
Instead of living up to its Godard and Whedon-esque aspirations, Blood Fest shoots itself in the foot, delivering cliche after cliche in a formulaic, hopelessly grating package.
Castle Rock’s The Queen takes us on a wander through time and memories with Ruth, as Sissy Spacek gives a breathtaking performance.
The Forest of the Lost Souls is an impressive debut that will find its audience in those filmgoers who appreciate cinematic genre fusion.
Along Came the Devil balances haunting imagery and genuine scares with a realistic story about family, tragedy, and overcoming loss
Strike, Dear Mistress, and Cure His Heart is too reliant on its use of narration, but still manages to capture the horror of dysfunctional relationships.
We spoke with Luke Del Tredici about the ten-year process of getting Arizona into production, the fragility and elusiveness of the American Dream, Brooklyn Nine-Nine, and much more!
Lacking the dirsired jump scares and trust in itself, Our House is a film that will now be stuck in limbo, too tame for modern horror audiences and not emotionally satisfying enough for others.
Castle Rock’s Filter is an impeccably scored episode, with enamoring performances by Spacek and Holland, that level out the grooves this mixed bag left behind.
For all of its merciless violence, Puppet Master: The Littlest Reich is a clever exercise in genre thrills and impossibly twisted humor.
Castle Rock is haunted, and there’s a reasonable amount of fantastical threads, but it is grounded with characters impacted by very real circumstances.
The Meg is not a masterpiece, but it is a perfect Jason Statham vehicle: packed with action and still a ton of fun.