horror
“A Midwinter’s Tale” was a solid episode, packed with holiday cheer, ill-willed entities, and potential demonic tragedies, making it one of the best in the series thus far.
There are successful films buried within Bird Box, but it refuses to build any identity as a film beyond its concept.
To call it a complete misfire would be unfair, but The Harrowing promises such supernatural offerings only to deliver a bland, soft-focus thriller with none of the scares.
In this beginner’s guide we look back at the career of director Joe Dante, focusing mostly on his iconic 1980s hits.
Anna and the Apocalypse is a roller-coaster of inspired madness, great music, and surprising emotional weight.
Even the creative use of an iconic object of terror doesn’t help to elevate Scarecrows above any other generic slasher.
Madison Montgomery is the most fascinating character in the AHS world, and in Apocalypse, our perception of her changes once more.
A mostly forgettable endeavor, The Possession of Hannah Grace is a misfire and a reminder of just what happens when you take a similar concept and do it better.
For those in love with the Archie comics, the original Sabrina and Riverdale, Chilling Adventures of Sabrina is sure to please, with its reimagining providing a little something for everyone.
The Clovehitch Killer is a creepy coming-of-age serial killer noir with a well-written script, three-dimensional characters and a career performance by Dylan McDermott.
Nightmare Cinema is the perfect anthology movie, with each short containing enough wild ideas and moments to hook in an audience no matter what kind of horror they like.
Family horror Clara’s Ghost skillfully holds the audience in its grip, and while Clara may be the focal point of the film, it is an excellent family study.
We spoke with David Ian McKendry, director of All the Creatures Were Stirring, about why the genres of Christmas and horror work so well together.
Thanks to its inventiveness, effective execution and originality, All the Creatures Were Stirring is bound to be another Christmas horror classic.
It is a shame when a movie like Hell Fest this is let down by the very reason for its existence – a slasher movie is only as strong as its slasher and the fear that slasher creates.