horror
For those in love with the Archie comics, the original Sabrina and Riverdale, Chilling Adventures of Sabrina is sure to please, with its reimagining providing a little something for everyone.
The Clovehitch Killer is a creepy coming-of-age serial killer noir with a well-written script, three-dimensional characters and a career performance by Dylan McDermott.
Nightmare Cinema is the perfect anthology movie, with each short containing enough wild ideas and moments to hook in an audience no matter what kind of horror they like.
Family horror Clara’s Ghost skillfully holds the audience in its grip, and while Clara may be the focal point of the film, it is an excellent family study.
We spoke with David Ian McKendry, director of All the Creatures Were Stirring, about why the genres of Christmas and horror work so well together.
Thanks to its inventiveness, effective execution and originality, All the Creatures Were Stirring is bound to be another Christmas horror classic.
It is a shame when a movie like Hell Fest this is let down by the very reason for its existence – a slasher movie is only as strong as its slasher and the fear that slasher creates.
AMERICAN HORROR STORY: APOCALYPSE (S8E10) “Apocalypse Then”: A High, Octane Finale That Will Satisfy
Heightened by a rapid editing style and an insane body count, “Apocalypse Then” is the intense, high octane finale we have been waiting for.
Cam may not be the full blooded horror its festival hype suggests, but it’s an involving glance at an online world through an unnerving lens.
A slow-burner, The Clovehitch Killer toys with your mind, leaving you to question what you already know to be true.
We spoke with Samantha Mathis, star of the upcoming horror film The Clovehitch Killer, about enjoying horror movies and playing in them.
With an ending in sight that seems almost too predictable, one thing is for certain, a showdown between Michael Langdon and the Coven seems inevitable.
Overlord is exactly what you would want and expect a movie about zombies created by Nazis to be: a deranged, disgusting delight.
Unfortunately, despite Origin’s good intentions and mysterious manner, it’s simply too derivative and absent of any originality to really recommend an immediate watch.
With Slaughterhouse Rulez, it seems Simon Pegg and Nick Frost haven’t quite let go of the comedy/horror genre, only this time with a different director and with uneven results.