horror
While Head Count shows potential and has some really good high level thoughts, there’s just not enough scares to bring the film to life.
Directed by Deon Taylor, The Intruder treads into territory that is unfathomable for most of us and may not be the kind of place you want to stay in.
The Perfection is a twisty thriller, with plenty of gore but does it make up for the absurd plot? Josh Martin reviews.
With such an interesting true story to draw from, it’s a real shame that The Child Remains is so underwhelming.
With abundant humor and a gruesome ending, Ma is a knowingly silly horror film that allows Octavia Spencer to revel in the grime.
Serial killers depicted in film have taken the industry by storm and became popularized by the audience and their need to question what they know about humanity.
Brightburn is a fun and thrilling experience that’s bolstered by a unique narrative and chilling performances.
Picture a world where women live in fear of men’s violent outbursts. This all too relevant scenario is where episode 7 of the Twilight Zone reboot begins.
The 27 Club is a cheaply made streaming title with little to no thought put into it – there was a seed of an idea here but nobody to tend the garden.
Starfish’s reach might ultimately exceed its grasp, yet the film still succeeds as an immersive, stunningly crafted apocalyptic sci-fi.
We were able to sit down with director Ant Timpson, and stars Elijah Wood and Stephen McHattie to discuss their new and wild film Come To Daddy.
We discuss the trend (and often, shortcomings) of truth-based horror, e.g. taking a folktale like La Llorona and making a horror film based around it.
Black Swan analyzes the pressure of perfection that is forced upon women by society, highlighting its long-lasting detrimental effects.
With horror movie clichés lurking around every corner and a script that’s difficult to digest, The Curse of La Llorona will likely meet the void where bad horror flicks go to be forgotten.