horror
Corporate Animals by no means breaks the horror/comedy mold, but there’s some laughs to be had.
With standout and nuanced performances, Villains is one of the funniest horror films you will see in quite some time.
Don’t Let Go sounds clever and mystical, but it’s a time-consuming thriller with alluring configuration and very little payoff.
I Trapped the Devil ultimately has just enough meat on its bones to stick with viewers willing to plunge into its grim, nightmarish world.
Between a disorganized format, poor storytelling choices, and novice performances, we condemn 47 Meters Down: Uncaged to the chum bucket.
Predictable to a fault, Ready or Not is still engaging, edge-of-your seat entertainment that brings just enough gore coupled with humor.
The losers are as compelling as before, Chapter Two successfully binds this group to its former to give fans a nuanced end.
We spoke with director Richard Bates, Jr. of horror film Tone-Deaf, about his inspirations and what it was like directing acting veterans like Kim Delaney and Robert Patrick.
Tigers Are Not Afraid is a standout film beneath the phantasmagorical flourishes is a story that is all too grounded in reality.
Where the company has become an auteur-like entity synonymous with good, cheap thrills, The Keeping Hours just isn’t scary enough to live up to Blumhouse’s horror brand.
Scary Stories To Tell In The Dark is an above average horror with inventive and fun monsters, but not enough character development.
In our first recap from this year’s MIFF 2019, we look at the films The Invisible Life of Eurídice Gusmão, Koko-di Koko-da and Tommaso!
By presenting a comedy with the formal elements of a slasher, Camp Wedding fails to be interesting or entertaining within either genre.
Delirium is interesting enough to warrant our attention, but ultimately the route to the big “reveal” veers off course.
Sometimes simple is all you need to make a fun movie, and with its quintessential man vs. nature thriller, we need more simple movies like Crawl.