horror
The Village in the Woods is a deviant slow burn with just enough horror to satisfy you this Halloween, even if it gets a bit muddled along the way.
While episode 2 of AHS 1984 provided new insights, more than enough questions arose as murder, secrets and terror lurked in the shadows.
Random Acts of Violence forces the audience to confront their own enjoyment at watching others’ pain
A conspicuously suspense-free story, Haunt feels like a missed opportunity by refusing to take its own ideas to the extreme.
In a lover letter to the horror genre, AHS 1984 packed a nostalgic punch – leaving the door wide open for more homage to come.
What did people think he was doing? What did the legends say? Wrinkles the Clown is both a hilarious and terrifying documentary that tries to answer these questions.
A beautifully orchestrated collaboration of horror films, AHS 1984 is gruesome, graphic and for those who love gore, oh so satisfying.
Looking back on “the gayest horror film ever made”, Scream Queen! My Nightmare on Elm Street is the kind of documentary you wait all year to see.
Koko-di, Koko-da is a surprising triumph, a modern fable brilliantly told and performed to expert precision.
Bloodline is a truly frustrating experience – a few less unneeded twists and turns might have made the whole thing plausible.
This TIFF 2019 report focuses more on the stranger side of TIFF, including the films Color Out of Space and The Long Walk.
Beyond a creative design and trailer, Killer Sofa is an idea that may have been conceived and executed foolheartedly.
Corporate Animals by no means breaks the horror/comedy mold, but there’s some laughs to be had.
With standout and nuanced performances, Villains is one of the funniest horror films you will see in quite some time.
Don’t Let Go sounds clever and mystical, but it’s a time-consuming thriller with alluring configuration and very little payoff.