horror
In his latest report from Monster Fest 2019, Alex Lines reviews the 1994 restored Tammy and the T-Rex and directorial debut Come to Daddy.
In her latest report from the Austin Film Festival, Kristy Strouse spoke with Bret and Drew T. Pierce about their film The Wretched.
We “listen in” on a conversation between huge Cabin In The Woods fans, Clement Tyler Obropta and Karen Pinilla as they look back on Drew Goddard’s 2011 horror.
In this episode of AHS 1984, we are given Richter’s background, completing the grisly characteristics of his damaged self.
Robert Eggers’ The Lighthouse is an abstract and surreal thriller which finds its grounding in its discussion of labor.
The world of filmmaking seems simple enough from the view of an audience, while Twitter…
Wounds is a work of unyielding dread – one of those misunderstood gems that comes along every so often, catching you off-guard with its skin-crawling concept and arcane atmosphere.
Ready or Not heralds the arrival of a fantastic talent in Samara Weaving, as well as directors Matt Bettinelli-Olpin and Tyler Gillett.
Countdown is not aggressively terrible, but it’s life-threateningly dull.
With so many great watches this year at Austin Film Festival 2019, Kristy Strouse is back with her second report.
Even in their shortcomings, Rattlesnake, Skyman and The VICE Guide’s to Bigfoot were all just off center enough to be entertaining.
In years past, I recommended great horror movies from around the world. Find part one…
Jim Dixon covers the films and special events that were on during the inaugural Sleep Hollow International Film Festival.
Even in its short runtime, Red Letter Day disappoints by the sheer laziness of never pushing the screenplay to a possibly climactic finale.
Kairo’s ghosts aren’t unearthly terrors, but rather memories of people lost, without names or faces, silently preparing themselves for an eternity of death.