horror
Even in their shortcomings, Rattlesnake, Skyman and The VICE Guide’s to Bigfoot were all just off center enough to be entertaining.
In years past, I recommended great horror movies from around the world. Find part one…
Jim Dixon covers the films and special events that were on during the inaugural Sleep Hollow International Film Festival.
Even in its short runtime, Red Letter Day disappoints by the sheer laziness of never pushing the screenplay to a possibly climactic finale.
Kairo’s ghosts aren’t unearthly terrors, but rather memories of people lost, without names or faces, silently preparing themselves for an eternity of death.
By this episode’s completion, we now know everyone is on the hunt for revenge and a bloodbath. Who will be victorious in the great clash of 1989? Only one way to find out.
The Horror of Dracula is one of the greatest horror films of all time. Or the last seven minutes are, at any rate.
In her latest report from the Toronto After Dark Film Festival, Bree Duwyn reviews Paradise Hills, The Furies and Making Monsters.
Jim Dixon attended the Sleepy Hollow International Film Festival and spoke with Dark Shadows actress Kathryn Leigh Scott, and screened House of Dark Shadows.
By the time 3 From Hell winds to its conclusion, the little voice in my mind whispering “who cares” was a loud pleading yelp.
Forgettable and quite boring, The Addams Family is perfectly passable as a children’s film, but not a genre classic.
We spoke with director Jason DeVan and his wife, producer and actress Heather DeVan, about their horror sequel Along Came The Devil II.
Color Out of Space heralds Richard Stanley’s return, a man given short shrift and who has a great eye for throwback horror and truly creepy cinema.
Glass Cabin is a delectable little horror short reaching into the depths of the human mind, a mind that cannot be trusted.
If you’re willing to take a chance and join Eggers, Pattinson, and Dafoe on their very weird journey, you’ll find it’s worth the trip.