horror
While it could have taken more risks, season one of Locke & Key gives us a feasible starting point for what could be a flourishing new fantasy series.
VFW is dumb fun, but unfortunately not nearly as much as the description would make it sound.
We were able to speak with actors Rebecca Hall, Stacy Martin, and Evan Jonigkeit, and director David Bruckner from the film The Night House.
Gretel & Hansel is conceptually a clever spin on a story we all know, but when that spin fails at generating scares or digging up much in the way of completely novel insight, it’s hard to know what to get out of the experience.
Chilling Adventures of Sabrina didn’t quite deliver on all fronts, deploying more inspiration from Riverdale — a decision that ultimately backfires.
On paper this movie may sound like a delicious recipe for some good old fashioned fun, but Richard Stanley’s Color Out of Space ultimately ends up stuck in a losing battle.
Kristy Strouse shares her first report from Sundance with three suspenseful features: High Tide, Black Bear and The Night House.
The last few years have come with a slew of fantastic horror films, and unfortunately The Turning does not fall into that category.
Despite its modern horror settings, there’s little to sustain anyone who dares dig their teeth into this limp and pale take on the character.
If you see this streaming the next time you are surfing, Get Gone. There are other things to explore.
Underwater isn’t an outright disaster, but it’s not a diamond in the rough, either.
In 2007, director Oren Peli spawned the multi-film, multi-million-earning Paranormal Activity franchise. Nearly thirteen years…
The best moment in this 2020 rendition of The Grudge is when the title card…
V-Wars is a light show that falls into the ranks of YA adaptations that encourage guilty pleasure, yet do not require to much commitment.
The second season of Castle Rock has concluded, and this dynamic anthology series went out on an intriguing note: a whimper more than a boom.