horror

EXTRA ORDINARY: A Colorful World Of Ghosts & Occultism
EXTRA ORDINARY: A Colorful World Of Ghosts & Occultism

Although its premise is one of the most outlandish in recent memory, Extra Ordinary grounds itself with witty exchanges and a visually pleasing aesthetic.

NINA WU: The Surreal Horrors Of The Film Industry
NINA WU: The Surreal Horrors Of The Film Industry

Nina Wu tells a gripping tale, aided by a skillful filmmaker and an incredible performance. Its methods are surreal and dreamlike, but its final destination is painfully real.

SXSW 2020: THE TOLL: Don't Blame The Victim
SXSW 2020: THE TOLL: Don’t Blame The Victim

With its deeply rich messaging and intense showcase of tension, The Toll is definitely a film to add to your must-see list.

How THE WOLFMAN (2010) Breaks Down The Corrosive Ideology Of Its Predecessor
How THE WOLFMAN (2010) Breaks Down The Corrosive Ideology Of Its Predecessor

Not only does 2010’s The Wolfman show us Sir John Talbot in a new, critical light, it reveals a corrosive ideology underneath a great, genre-defining film.

CASTLEVANIA Season 3: A Season That Stands Strong
CASTLEVANIA Season 3: A Season That Stands Strong

Castlevania is just as exciting as any season that came before and raises the bar with one of the most shocking penultimate episodes of the entire show.

THE HUNT: The Guns Don’t Misfire, but Everything Else Does
THE HUNT: The Guns Don’t Misfire, But Everything Else Does

The Hunt is a textbook example of trying to force a story into a concept, rather than giving the story its due.

Directors Kleber Mendonça Filho & Juliano Dornelles On Their New Film BACURAU
Directors Kleber Mendonça Filho & Juliano Dornelles On Their New Film BACURAU

Andrew Young spoke with BACURAU directors Kleber Mendonça Filho & Juliano Dornelles, its brutality matched by its politicised satire and a dark and playful humour.

SWALLOW: The Limits Of Control
SWALLOW: The Limits Of Control

Carried by a brilliant performance from Bennett, Swallow is a disturbingly effective psychological study focused on the extreme lengths one will go to declare independence in the face of oppression.

Fantastic Film Festival Australia Report 2: CUTTERHEAD & CLIMATE OF THE HUNTER
Fantastic Film Festival Australia Report 2: CUTTERHEAD & CLIMATE OF THE HUNTER

For our second report from the Fantastic Film Festival Australia, we take a look at…

THE LODGE: A Fun, Subversive Horror Hit
THE LODGE: A Fun, Subversive Horror Hit

The Lodge is inventive, it’s clever and it’s pretty damn spooky. If you’re a horror fan, don’t let this one slip under the radar.

THE INVISIBLE MAN: An Effective Modernization Of The Classic Monster
THE INVISIBLE MAN: An Effective Modernization Of The Classic Monster

From its opening scene of a mansion overlooking the ocean to its anxiety-inducing conclusion, The Invisible Man brings Universal Monsters to a whole new level.

BRAHMS: THE BOY II: One Boy Is Enough
BRAHMS: THE BOY II: One Boy Is Enough

Brahms returns in this pointless sequel to The Boy, which starts out with some promise but loses its plot halfway through.

FANTASY ISLAND: A Holiday from Hell
FANTASY ISLAND: A Holiday From Hell

What should have been a sun-soaked blockbuster, Fantasy Island leaves us feeling shamelessly entertained and frustratingly ripped-off.

Fantastic Film Festival Australia Report 1: Two British Genre Filmmakers Make Their Debut
Fantastic Film Festival Australia Report 1: Two British Genre Filmmakers Make Their Debut

In his first report from Fantastic Film Festival Australia 2020, Matthew Singleton reviews Saint Maud and A Serial Killer’s Guide to Life!

AFTER MIDNIGHT: A Lovesick, Country-Fried Creature Feature
AFTER MIDNIGHT: A Lovesick, Country-Fried Creature Feature

After Midnight shows much potential in its early-goings, which makes the lack of a satisfying follow-through all the more disappointing.