horror
Andrew Young spoke with BACURAU directors Kleber Mendonça Filho & Juliano Dornelles, its brutality matched by its politicised satire and a dark and playful humour.
Carried by a brilliant performance from Bennett, Swallow is a disturbingly effective psychological study focused on the extreme lengths one will go to declare independence in the face of oppression.
For our second report from the Fantastic Film Festival Australia, we take a look at…
The Lodge is inventive, it’s clever and it’s pretty damn spooky. If you’re a horror fan, don’t let this one slip under the radar.
From its opening scene of a mansion overlooking the ocean to its anxiety-inducing conclusion, The Invisible Man brings Universal Monsters to a whole new level.
Brahms returns in this pointless sequel to The Boy, which starts out with some promise but loses its plot halfway through.
What should have been a sun-soaked blockbuster, Fantasy Island leaves us feeling shamelessly entertained and frustratingly ripped-off.
In his first report from Fantastic Film Festival Australia 2020, Matthew Singleton reviews Saint Maud and A Serial Killer’s Guide to Life!
After Midnight shows much potential in its early-goings, which makes the lack of a satisfying follow-through all the more disappointing.
Even with the brilliance of Faran Tahir’s believable portrayal of a broken villain, I Am Fear flaws weigh heavy, even in the final moments.
Each of these stories featured an intriguing idea with theirr own successes, yet the compilation of Grim Woods leaves much to be desired.
Coupled with skill in front and behind the camera, It is not gore or a body count but pure tension that pulsates through Dead Sound, pushing it forward.
Come to Daddy oozes Timpson’s remarkable devotion to the emotional, surreal and vicious with grotesque gusto.
WOLFEN: Horror, Capitalism & The Environment
Watching Wolfen in 2020 is like opening a time capsule full of predictions that have all come true.