horror
Impetigore is a film of slowly unfolding horror, with every aspect designed to fill you with dread and sorrow.
The Rental may lack a traditional killer, gore and even an ending but it’s a delicious tale of betrayal and paranoia.
Game of Death is a fun and gore-filled examination of horror and video game conventions that works well in its short runtime.
Despite a satisfying ending, Amulet’s messy timeline and uneven pacing prevent it from reaching the greater heights that could have been.
The Beach House has all the makings of a home run, but the execution leaves viewers checking their watches.
Alex Lines spoke for director Natalie Erika James about her directorial debut Relic, the process of co-writing the script and influences.
In a deeper look, Relic is a film that will leave you speechless, enamored with the visual showcase you have just witnessed.
Relic, through a deliciously brilliant depiction, personifies and tackles the social and familial issues surrounding dementia.
If you are in the mood for a light, funny, horror-comedy – heavy on the comedy – Useless Humans is something special.
Ju-On: Origins may not reinvent the formula of the franchise, it still has enough stuff to give the audience a terrifying nightmare.
1979’s Apocalypse Now has achieved an almost cult-like status, and no war film has captured the depravity of war the same way since.
Every moment of Homewrecker, crazy or scary or just plain weird, is played with a lightness that makes it a joy to watch.
An over the top, aimless blunder of foolery, Dreamland is remarkably disastrous yet instantly forgetful.
While it once remained in the shadows of cinema, Onibaba has since etched out a place among the pantheon of must-watch Japanese films.
Becky is an entertaining thrill ride but runs into trouble with its weak script and mediocre direction.