horror
Mike Flanagan’s The Haunting of Bly Manor once again sees him revisiting an old horror text as a roadmap to explore human emotions.
The result is a bit of a mixed bag; the movie does indeed scream Clive Barker, but on the other hand, the new stories aren’t really that interesting.
Antebellum, for all it promises, fails on several levels to ever come full circle in its intent while only worrying about a failed twist ending.
Deep down, what Possessor offers isn’t just violence and shock value, but has real ideas about identity and capitalism.
Scare Me is thrilling, chilling, and absolutely delightful, evoking perfectly that feeling of sharing ghost stories among friends.
Maria Lattila chatted to director Darren Lynn Bousman about his new film Death of Me as well as the upcoming Spiral: From The Book of Saw
Darren Lynn Bousman’s Death Of Me is fascinating and terrifying but occasionally stumbles into problematic territory.
Let’s Scare Julie is technically ambitious and impressive, but never utilises its format to the fullest.
Repossession bites off more than it can chew, but it’s a scrappy film nonetheless that provides enough thrills to satisfy a horror fanatic.
Wilson Kwong spoke with Madeleine Sims-Fewer and Dusty Mancinelli about their creative process in bringing such an important story to the big screen.
Michael Frank had the chance to chat with Amelia Moses about her latest film Bleed with Me, its beginnings, the disturbing imagery and more!
Stephanie Archer had the opportunity to participate in a round table with director Jon Stevenson and cast members Wil Wheaton and Brian Landis Folkins about Rent-A-Pal.
Blake Collier takes a deeper look at the three Estus W Pirkle-Ron Ormond films that bookended the 1970s.
While it may not land as smoothly as it hopes for, what #Alive offers here is still refreshing, warranting the attention of its audience.
Stephanie Archer had the opportunity to speak with the Francesco Giannini about his film The Hall.