horror
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
While Synchronic is not the deep and pensive film it attempts to be, it is still an enjoyable film that will entertain.
The Old Ways is engaging and horrific, keeping relevant themes in the foreground while entertaining with solid and gruesome scares.
Reviews of Aussie thriller Bloody Hell and the dark comedy Dinner in America, fresh from the inaugral Nightstream film festival.
With strong performances and boldly deliberate pacing, even the odd misstep can’t stop the fact that Rose really packs a punch.
The ghosts and ghouls are fun, but this is ultimately supposed to be an allegory for Taiwanese oppression, and on those grounds, Detention fails.
Mike Flanagan’s The Haunting of Bly Manor once again sees him revisiting an old horror text as a roadmap to explore human emotions.
The result is a bit of a mixed bag; the movie does indeed scream Clive Barker, but on the other hand, the new stories aren’t really that interesting.
Antebellum, for all it promises, fails on several levels to ever come full circle in its intent while only worrying about a failed twist ending.
Deep down, what Possessor offers isn’t just violence and shock value, but has real ideas about identity and capitalism.
Scare Me is thrilling, chilling, and absolutely delightful, evoking perfectly that feeling of sharing ghost stories among friends.
Maria Lattila chatted to director Darren Lynn Bousman about his new film Death of Me as well as the upcoming Spiral: From The Book of Saw
Darren Lynn Bousman’s Death Of Me is fascinating and terrifying but occasionally stumbles into problematic territory.
Let’s Scare Julie is technically ambitious and impressive, but never utilises its format to the fullest.
Repossession bites off more than it can chew, but it’s a scrappy film nonetheless that provides enough thrills to satisfy a horror fanatic.