horror
For their disability day special, Film Inquiry contributor Diego Andaluz interviewed Run’s director Aneesh Chaganty and co-producer Natalie Qasabian.
Mariusz Wilczynski’s Kill It and Leave This Town is art in its purest form; sincere, evocative, and intimate.
As part of Melbourne’s annual Monster Fest, we got a look at one of the films in the lineup: Brandon Cronenberg’s Possessor.
Carga is a gripping short film. Its marvellous build-up is ever so slightly hindered by a speedy conclusion—it’s a film you want to be longer.
Despite this film’s boundless originality, one is left with more of a sense of respect for what was attempted than of enjoyment of what resulted.
Angelique Sabrina White and Jack Shulruff both spoke exclusively with Film Inquiry’s Jim Dixon about their latest film Roommate Wanted.
Cindy Sibilsky interviews actress Juliet Landau for A Place Among the Dead, her feature film directorial debut.
In the latest Away from the Hype, Sean Fallon looks back at the 1980 film, Cannibal Holocaust.
Kindred features impressive performances from all actors, but the script lacks action.
He was an independent filmmaker in the truest sense of the word. The films discussed all showcase Romero’s voice and fearless spirit.
Stephanie Archer presents the best 13 episodes of the Treehouse of Horror series in this epic marathon from The Simpsons.
On a very Spooktacular episode of Blindspots, Jake and Kristy discuss not two, but four horror movies to celebrate the Halloween season!
The originality of I Blame Society is an exquisite example of how quickly the thin line between reality and art can blur.
Jennifer Sheridan talks to Film Inquiry about directing her scriptwriter, working in the snow, and designing a vampire.
Neither horrific nor revelatory, The Last Exorcist brings little new to the well-trod table despite its best of intentions.