horror
The Columnist is an effective thriller about one woman’s revenge against her online abusers, but it lacks deeper meaning.
With a lack of investment in its central character and a lackluster execution, The Night is a film not likely to see the dawn.
PG: Psycho Goreman may become a cult film favorite with its quotable lines, an imaginative cast of fantastical characters, and irreverent attitude.
Far from the best horror film, and far from the best slasher, there is something classically endearing about My Bloody Valentine.
A Ghost Waits won’t provide too many chills and scares, but it will provide a well-crafted, tonally ambitious narrative of love and loneliness.
While the movie could’ve been a little deeper, Censor is nevertheless still a solid debut from Bailey-Bond.
House of Wax boasts an impressive performance by Vincent Price, a strong induction into horror history and proof that remakes are not all bad.
While a bit shaky at times, the Chilling Adventures of Sabrina brought a unique perspective I hope future inductions will honor.
In a retrospective world, now is the time to revisit Splinter – or to discover it for the first time. You won’t be disappointed.
Jim Dixon spoke with director Ansel Faraj about his film Loon Lake, blaspheming, and burning down the church in the rain.
Castle Freak is an interesting update to a familiar horror film, and manages to add more of the Lovecraftian influence back into the world.
If you need a new holiday staple to fill your cinephile holiday binge, look no further than Better Watch Out.
Climate of the Hunter captures the 1970s perfectly, crafting a beautiful film filled with a central mystery that builds in every revelation.
Who knew that in 2020, the messages and words of Anna and the Apocalypse would find new and even deeper meaning.
The history of horror has brought viewers countless Final Girls, yet we are witnessing a near-Renaissance of unbridled female rage within the genre.