horror
For a low-budget production, Agoraphobia is a high-quality film with a solid storyline and good cast.
The Cabinet of Dr. Caligari, from Robert Wiene, is a film held close to the hearts of film historians, German expressionists, and horror fans alike.
Even the successes can not push the film beyond one of its biggest flaws – it seems to be in a constant battle with itself on what it wants to be.
Slaxx offers plenty of fun and amusing gory moments with a heartfelt story showcasing the evils of the fashion industry.
Gold at the end of the rainbow, ancient magics, and leprechauns all to delight and even terrify. This was the goal of Mark Jones’ Leprechaun.
Happily breathes new life into a story we have seen too many times through its unique twists to the classic structure and charming performances.
Sure it doesn’t have the best acting, narrative or even the best effects, but Freddy vs. Jason offers audiences a return to slashers of old.
We spoke with the very talented cinematographer of Lucky, a new horror-satire, Julia Swain.
Wearing its influences on its sleeve and a love letter to horrors of the past, Awoken is a sharp little horror movie with bite and shocks.
We spoke with writer/director Jill Gevargizian and star Najarra Townsend for their amazing new horror: The Stylist.
Sean Fallon spoke with director and writer Daniel J. Phillips about his film Awoken, his influences and his next projects.
Come True is a visually stunning and beautifully directed film, but its twisty plot sometimes goes too far.
The Stylist has everything one can want from a horror film; a talented female lead, lots of chills and bloody enticements, and a wickedly impressive style.
The Horrific Inguiry column takes a look at the Universal Monster film Frankenstein (1931) and its legacy within film history.
The Vigil finds success in its intricate and delicate layering of its narrative, giving time for viewers to digest each tidbit given.