horror
It mostly delivers on the thrills and kills, providing enough of a jolt of energy to satisfy genre fans.
Fans of Snyder will undoubtedly find value in it, with moments where the director is allowed to play to his strengths, but they’re far and few between.
From witches to Satan, Rosemary’s Baby has it all, and while it may not have aged as well as hoped, it is still a classic film that still influences.
Karl Holt’s Benny Loves You is a madcap feature debut that toys with a man-child’s inability to let go of childhood.
With the TCM Classic Film Festival kicking off in May, Lee Jutton takes a look at Michael Curtiz’s Doctor X, one of the films playing.
The latest edition of Film Inquiry’s horror movie-centered column, Horrific Inquiry, takes a look at the 2001 Japanese film Kairo, or Pulse.
The final moments of the film do work, but are ultimately not worth sitting through the slow-pace, bad jokes, and exposition-laden dialogue.
15 Things You Didn’t Know About Bigfoot (#1 Will Blow Your Mind) is a mockumentary satire exploring clickbait and cryptozoology in equal measure.
Matt Rosenblatt’s 2020 short film Movie Night peeks in on a couple’s first date where they watch a horror movie. But what lurks on the video?
Kristy Strouse spoke with director Travis Stevens of the new horror, Jakob’s Wife.
While it might have become a bit dated along the way, Dead Silence is still a brilliant horror film to terrify.
As a scrappy horror, put together in difficult circumstances, its existence is impressive. Yet its merits as a film and a story, it lacks focus.
There are short films that spark franchises, and The Man in the Pinstripe Suit has the makings of such a success.
The Oak Room brings light to the darkness of storytelling but at times this is not enough to stay invested in the story and its characters.
It’s a clever and fresh take on not only an oversaturated genre but also an intriguing take on one of the most fool-hearted days of the year.