horror
We Need to Do Something is a cringeworthy experience providing audiences a graphic examination of abuse coupled with the intricate craftsmanship of horror.
Despite some predictable plotlines, it doesn’t take away from the quality, experience, and entertainment The Uninvited promises to its audience.
Film Inquiry spoke with writers/directors John Adams, Zelda Adams & Toby Poser for their newest film, Hellbender.
Hellbender create its own stamp on the subgenre with a twisting, trippy and complex mother/daughter relationship that is certain to leave a lasting mark.
Les Diaboliques’ intriguing and twisting story will keep you guessing, entertained and horrified, while showcasing the craftsmanship behind the classic.
The Last Matinee is a blood-soaked and nostalgic journey into a bygone era of movie theaters and their unique beauty.
The Night House is a kaleidoscope of creaks and whispers, playing with anticipation and stretching it as far as it can go.
Haunting, strange, and engrossing, What Josiah Saw works in perpetuating perceivable dread.
It’s films like Angel’s Egg that make the critic feel like a charlatan, aimlessly looking for patterns in the entrails.
While it is less gory, especially in the film’s conclusion, it leaves a twist and an ending that speaks to the possibility of more films to come.
Horrific Inquiry looks back on Sleepaway Camp, one of the most successful independent films ever made, and its societal lens on young women.
The Boy Behind the Door boasts some incredible shots, framing marrying with its lighting, crafting intrigue, and lasting impressions.
Despite a strong first half, Old, the latest nightmare from M. Night Shyamalan, quickly falls apart in the second half.
Slow and overall boring, Till Death only slightly leans into the intensity and intrigue it promises.
Fear Street Part Three: 1666, the third part of a trilogy, ties everything perfectly back to the first two films.