horror
Jenny Pen is a cold-eyed excavation of one of the basest fears humanity possesses: That life, in all its triumphs, is a meaningless house of cards.
Like any good exploitation movie Exorcismo feels like a pleasant discovery for a genre buff, a treat from the back of the video store.
Generation Terror proves a refreshing revitalization of the nuances under all the blood and guts, as well as the guts themselves.
MadS playful spirit elevates it from film school exercise to wild romp. Fans of Y2K-era zombie movies like Rec or indie bad trips like Bliss are in for a treat.
Smile 2 may occasionally overdo it with its over-the-top approach, and it contains a scattershot plot, but its strength lies in its presentation.
Halloween is one of the most festive times of the year, and with it comes…
News that Robert Pattinson and Parker Finn are developing a “Possession” remake drew criticism from feminist horror writers and critics.
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Despite its inconsistent storytelling and wooden performances, Night of the Harvest offers a certain charm that inspires appreciation for filmmaking.
15 years later and Coraline is still scary, moving, funny, and aesthetically breathtaking.
Azrael has buckets of blood, some fun traps, and plenty of intrigue for those willing to overlook these gestures towards deeper meanings more fully.
The Toronto International Film Festival brought quite the number of horror films this year. Kevin L. Lee reviews Heretic, Presence and Hold Your Breath.
The Crow struggles to connect with audiences due to its lack of compelling character development and chemistry.
Both The Substance and The Last Showgirl evaluate mortality by leaning on their respective stars’ relationship with celebrity in real life.
For this Horrific Inquiry we take a look back at Friday the 13th, Part II!