horror
Patrick Ridremont’s The Advent Calendar is a holiday horror film about a woman given the opportunity to walk again, but at what price?
The Feast is a well-crafted film, boasting exquisite shots that deserve their place in horror recognition, but the story itself drags it down.
I’ve always wondered why Black Friday had not been explored in a horror film. Director…
Between its seemingly inconsistent mythology and a confusing timeline, Double Walker forces the audience to work harder to appreciate its strengths.
While it may not live up to the bar set, Scream 2 delivers a solid sequel that not only expands the rules of horror but lays the groundwork for the trilogy.
Blindspots is back with another double dose of horror recommendations!
Last Night in Soho immediately pulls you in with its colorful visuals and strong performances but it lacks the subtlety necessary to be truly impactful.
The warped claustrophobia of Masking Threshold is wholly original, making it one of the best horror films of the year.
Trick ‘r Treat lives up to its reputation taking the traditions of the holiday and wielding them into a horrific tale of lore, murder, and revenge.
House on Haunted Hill is a classic in its own right, exhibiting the ability for horror to remain timeless.
For a first-time director, Kempff had a very stylistically sharp vision for Knocking which is bogged down by an overly meandering tone.
David Gordon Green’s sequel to Halloween, Halloween Kills, is an aggravating, unnecessary, and horribly misguided feature.
If you haven’t had the chance to see this Burton classic, there isn’t a better time than now to embrace the folklore of Sleepy Hollow.
Never afraid of a little blood, The Retaliators dives head first into the gore, making its violence cringeworthy in all the best ways.
Despite some improvements over the previous film, The Addams Family 2 still feels stuck in the first gear of safe animated adaptations.