horror
Valentine was never meant to be a deep well of thought within a slasher, but it does, even when it leaves much to be desired.
Sundance 2022 has lots of horrors, enjoying a blend of scares with real sobering commentary about the world today. Kevin Lee reviews Master & Resurrection.
There is much to take in when watching, its final reveal an unsuspecting twist, yet seemingly not as powerful in retrospect as one would have hoped.
The Mummy remains a classic staple of horror and the mummy genre, transforming itself to immortality of cinematic history.
In her last report Kristy Strouse reviews You Won’t Be Alone, Something in the Dirt, Palm Trees & Power Lines and Hatching!
With strong performances and technically sound decisions, A Banquet is let down by the immense wealth of perspectives it attempts to harness.
Coupled with strong performances and talent behind the camera, All of Us Are Dead is a binge-worthy venture.
Film Inquiry spoke with Toby Kebbell and Lauren Ambrose, stars of the hit Appletv+ series, Servant!
The release of Scream 5 is almost here! But first, we need to take a moment to look back on the final Scream installment Wes Craven would work on: Scream 4.
With Black Christmas’ blend of sadism, camp and scantily clad women, the film finds the pulse of the American slasher.
Black Christmas is not the knock-out holiday film you might be craving, but it entertaining to say the least.
Film Inquiry interviews Molly Quinn, who stars in the horror drama Agnes as a nun named Mary dealing with the supernatural.
With only a month left until the release of the franchise’s fifth installment, we are back with another edition of Horrific Inquiry’s Scream Countdown!
Film Inquiry spoke with writer/director Camille Griffin for her feature directorial debut: Silent Night.