horror
The 48th Seattle International Film Festival continues, rain or shine, and for Film Inquiry’s second…
And while not an instant horror classic, giving in to its at times predictable storyline and faults in believability, it definitely proves itself a worthy player.
As a whole though, Dracula balances out as a brilliant classic of an early introduction to sound films and early horror inductions.
Schoenbrun utilizes the hyper-specific language of the Internet—in particular, the dark world of creepypasta—to weave an engaging and frightening tale.
And unforgiving and relentless curse, Ju-on delivers on its promise to terrify – even long after the movie has ended.
In the latest report from SXSW 2022, Kevin L. Lee reviews two supernatural features: Jethica and The Cellar!
In my fourth report from SXSW Film Festival 2022 I discuss the romance Stay the Night and horror Bitch Ass.
For her third report from the 2022 SXSW Film Festival, Kristy Strouse covers Spin Me Round, The Prank, and The Cow!
While the film does linger at times, underutilizing a few characters along the way, Fresh is a welcomed addition to the world of horror.
On this new Blindspots it’s a triple mix of mayhem and carnage with Freaked, Lifeforce & Dead Alive!
If you can go along with all its winking and ribbing of rock culture, there’s enough self-deprecating, decapitating humor for a bloody fun meta-horror.
Promoted as being based on a true story, The Texas Chainsaw Massacre reached into the recesses of the mind, pushing audience expectations to a new level.
Unnecessary and poorly planned out, Texas Chainsaw Massacre is a sequel easily dismissed, the power of what made the original clearly forgotten.