horror
Since this film was having its 25th-anniversary edition released (in a gorgeous 4k Steel book), I felt it was the perfect film to shine a light on.
The strength lies in the movie’s ability to make the most with a small budget, but it cannot mask the shortcomings of an uncompelling story.
John Mathis’ Where’s Rose is more concerned about real-life horrors than it is with fantastical ones, and it is all the better for it.
A performance-driven movie packed with quietly devastating moments, Resurrection should not be overlooked among the great horror films of this year.
Ultimately, films like The Craft, The Love Witch, and even The Witch wouldn’t be the same without Romero’s should-be classic, Season of the Witch.
While Piranha may not be the best horror film, even boarder lining ridiculous at times, it is undeniably entertaining.
Flux Gourmet is a movie wholly dependent on making sound editing and cinematography do all the work and they can’t quite get there.
From the layers of trauma to the shocking twist ending, Carnival of Souls is a classic cinematic experience best shared with others.
Based on “The Dreams in the Witch House”, Bobby Easley’s 2021 H.P. Lovecraft’s Witch House aims high as it tackles the supernatural.
The Human Centipede trilogy is arguably one of the most infamous horror films of recent decades, spawning a cult fandom of midnight moviegoers.
Film Inquiry spoke with writer/director Robbie Banfitch about the making of his newest film: The Outwaters.
On this Horrific Inquiry, we review the 2008 remake of Prom Night!
Lacking horror and empathy, Abandoned is film that should be just that – abandoned.
Mad God bursts and spews onto the scene in absolutely take-no-prisoners fashion and has steadily placed itself close to the top of the pile as one of the best movies of 2022.
From the 2022 Sydney Film Festival, Alex Lines covers Jean Luc Herbulot’s Saloum and Emin Alper’s Burning Days.