horror
Major studio productions often use TIFF as a launching pad for large theatrical releases, and this year is no exception with The Menu and Bros.
In our first report from the Melbourne Film Festival, Sean Fallon reviews Saloum, Dual, Shadow, The Integrity of Joseph Chambers and The Pez Outlaw!
Luca Guadagnino’s Bones and All is a monumental statement on the beautiful powers of love bolstered by great performances.
Predator is one of those classic films that is a must-see – especially if you have the right crowd to watch it with.
Urban Legend may have become a legend of its own in the years since its release, yet it still retains its place within the slasher films of the 1990s.
The comedy and performances are really what set Glorious up to maintain its rather flimsy horror premise.
Since this film was having its 25th-anniversary edition released (in a gorgeous 4k Steel book), I felt it was the perfect film to shine a light on.
The strength lies in the movie’s ability to make the most with a small budget, but it cannot mask the shortcomings of an uncompelling story.
John Mathis’ Where’s Rose is more concerned about real-life horrors than it is with fantastical ones, and it is all the better for it.
A performance-driven movie packed with quietly devastating moments, Resurrection should not be overlooked among the great horror films of this year.
Ultimately, films like The Craft, The Love Witch, and even The Witch wouldn’t be the same without Romero’s should-be classic, Season of the Witch.
While Piranha may not be the best horror film, even boarder lining ridiculous at times, it is undeniably entertaining.
Flux Gourmet is a movie wholly dependent on making sound editing and cinematography do all the work and they can’t quite get there.
From the layers of trauma to the shocking twist ending, Carnival of Souls is a classic cinematic experience best shared with others.
Based on “The Dreams in the Witch House”, Bobby Easley’s 2021 H.P. Lovecraft’s Witch House aims high as it tackles the supernatural.