horror
Unpredictable and unapologetically violent, Terrifier may seem like a B-horror, but it is far from it.
In our latest report from the 2022 Toronto International Film Festival, Faisal Al-Jadir reviews Venus, Sisu and Viking!
The first 90 minutes of David Gordon Green’s Halloween Ends easily outweigh most of the films that have come before it.
With a frightfully fun cast, a tight script, and a thematically relevant approach to its violence, Bodies Bodies Bodies is great slasher fun.
Slayers is an entertaining enough horror comedy with some standout performances, but the film’s satire and themes lose some of its charm.
Where Michael Myers was the boogie man of the late 1970s, Freddie Krueger was for the 80s.
Director David Bruckner blends the bombast of Hellraiser into today’s horror mode of choice for Hulu’s 2022 reboot of the franchise.
With an awareness of its own ideas on self preservation and survival, Piggy excels.
Ahead of its time, Cat People may have a slow start, but it is rich in cinematic history and horrific craftsmanship.
Nothing seemed more fitting for the fall equinox than Fritz Kiersch’s adaptation of Stephen King’s classic Children of the Corn.
While Don’t Worry Darling has some very good perks it ultimately tries to work with too many ideas without giving them one direction.
Living with Chucky welcomes newcomers into the fold, encouraging a new generation to embrace the revitalization of Chucky.
Paco Plaza’s Verónica is the latest to enter the horror genre fold of demonic possessions, Ouija boards, and hauntings.
While Student Body might not scare the average horror fan, it’s a good reminder of the untapped potential of how much sheer terror mascots can contain.