horror
Director David Bruckner blends the bombast of Hellraiser into today’s horror mode of choice for Hulu’s 2022 reboot of the franchise.
With an awareness of its own ideas on self preservation and survival, Piggy excels.
Ahead of its time, Cat People may have a slow start, but it is rich in cinematic history and horrific craftsmanship.
Nothing seemed more fitting for the fall equinox than Fritz Kiersch’s adaptation of Stephen King’s classic Children of the Corn.
While Don’t Worry Darling has some very good perks it ultimately tries to work with too many ideas without giving them one direction.
Living with Chucky welcomes newcomers into the fold, encouraging a new generation to embrace the revitalization of Chucky.
Paco Plaza’s Verónica is the latest to enter the horror genre fold of demonic possessions, Ouija boards, and hauntings.
While Student Body might not scare the average horror fan, it’s a good reminder of the untapped potential of how much sheer terror mascots can contain.
Major studio productions often use TIFF as a launching pad for large theatrical releases, and this year is no exception with The Menu and Bros.
In our first report from the Melbourne Film Festival, Sean Fallon reviews Saloum, Dual, Shadow, The Integrity of Joseph Chambers and The Pez Outlaw!
Luca Guadagnino’s Bones and All is a monumental statement on the beautiful powers of love bolstered by great performances.
Predator is one of those classic films that is a must-see – especially if you have the right crowd to watch it with.
Urban Legend may have become a legend of its own in the years since its release, yet it still retains its place within the slasher films of the 1990s.
The comedy and performances are really what set Glorious up to maintain its rather flimsy horror premise.