horror
In her final report from the 2023 SXSW Film Festival, Kristy Strouse reviews Furies, Fry Bread Face and Me and Late Night with the Devil!
There have been a lot of good shows, don’t get me wrong, but nothing can compare to the level of excellence The Last of Us provided.
The perfect sequel to a requel, Scream VI is love letter to horror, to a franchise and to its fans, proving that not all stories are dead.
Leprechaun 3 is not a film that will be at the top of your watch list this season, yet it speaks to the continuing campy nature of the Leprechaun franchise.
At a solid 93 minutes, director Oliver Park’s The Offering is a quick and creepy watch.
In my second report from this year’s SXSW, I dive into three more very unique titles including science fiction, teenage drama, and horror.
Orchestrator of Storms: The Fantastique World of Jean Rollin is a loving tribute that is a must-watch for fans of horror or Euro cult films.
If you can remove expectations, Children of the Corn may be an enjoyable watch. But, the source material deserved better.
SXSW Film Festival 2023, Report 1: CHRONICLES OF A WANDERING SAINT, SISTER & SISTER And RAGING GRACE
My first foray into this year’s SXSW festival is a trio of first-time feature debuts by directors from various parts of the world.
Halloween Ends and the druid-focused Halloween: The Curse of Michael Myers bear more similarities than immediately expected.
Unwelcome works as a decent horror film in general, but with St. Patrick’s Day just around the corner, it takes on a new vibrancy of success.
From the maddeningly slow pace, amateurish performances, and undercooked screenplay, The Long Dark Trail fails to do anything it set out to accomplish.
While it had the potential to be something more, as it was, Wolf Garden tried to do too many things and never found a solid identity.
While this is far from a good horror film, it’s hard not to acknowledge the possible influences both it and Poe have had on horror
She Came from the Woods takes the horror genre and turns it a bit sideways, combining nearly every trope we got in the 80’s into one film.