horror
Halloween Ends and the druid-focused Halloween: The Curse of Michael Myers bear more similarities than immediately expected.
Unwelcome works as a decent horror film in general, but with St. Patrick’s Day just around the corner, it takes on a new vibrancy of success.
From the maddeningly slow pace, amateurish performances, and undercooked screenplay, The Long Dark Trail fails to do anything it set out to accomplish.
While it had the potential to be something more, as it was, Wolf Garden tried to do too many things and never found a solid identity.
While this is far from a good horror film, it’s hard not to acknowledge the possible influences both it and Poe have had on horror
She Came from the Woods takes the horror genre and turns it a bit sideways, combining nearly every trope we got in the 80’s into one film.
This film may be a remake of the 1981 classic but it creates its own identity, carving out its own place within the horror genre.
Malignant embraces the true cult sensibility that M3gan only gestures to, serving up a wildly entertaining and singular cinematic experience.
Shyamalan’s Knock At The Cabin finds new ways to explore old ideas, deviating slightly from his usual formula while still making you frightfully uneasy.
The Outwaters is a movie you won’t soon forget, becoming a definitive part of the rolling word of mouth marketing.
In her last Sundance report, Kristy Strouse takes a look at Slow & Sorcery!
Film Inquiry spoke with writer/director/actor Andrew Bowser, and stars Barbara Crampton and Rivkah Reyes for Onyx the Fortuitous and the Talisman of Souls!
While Sick may not be the grade-A horror film it wants to be, it is an enjoyable watch, with a few surprises, and some great visual creations.
The Most Dangerous Game proves itself to be a classic film that goes beyond the staples of film infancy.
In our latest report from the 2023 Sundance Film Festival, Kevin L. Lee reviews two Australian horrors – Run Rabbit Run and Talk to Me!