We spoke with Sir Ben Kingsley about his latest film Operation Finale, taking on the portrayal of a Nazi official and his continued work to keep the memory of the Holocaust alive.
The Color of Pomegranates offers an experience of careful, questioning celebration that combines appreciation of artistic beauty with cognizance of worldly suffering.
Whilst not always smoothly or coherently told through the performances and screenplay, Susu is a slightly confused movie with a distinct point to make.
Certainly a crowd pleaser, Zoo is light and easy, yet lacks a certain depth for its subject matter, despite its talented cast, that will leave you wanting more.
Director Lucrecia Martel’s first film in a decade is an opaque and potentially challenging film that is best appreciated as a purely sensory experience.
With undefined characters and a hesitation to commit to the violent realism of the story, Spanish historical epic Gold (Oro) proves to be something of a tedious slog.
The Post will likely be overlooked at this year’s Oscars, but with its historical depiction of the fight for the press and democracy, as well as its similarities to present day, it is still worth watching.
With its shallowness of character and its failed continuity of plot, Queen of the Desert is a film made as if to remind us of why we call films ‘pictures’, since the only good thing about the film is its mise-en-scenes.