history
An irresistible experience loaded with vulgarity, passion, and energy, Babylon is one big party of an intoxicating cinema explosion.
Ponniyin Selvan: Part I is fun and brisk, setting a higher standard for Indian literary adaptations.
In our latest report from the 2022 Heartland International Film Festival, Emily Wheeler reviews Dear Zoe, Corsage, Close and Me Little Me!
Hinterland’s high concept is let down by a weak script that doesn’t make the most of the film’s intriguing setting and talented cast.
The London Film Festival is back for another year and our first despatch covers a military coup and, just maybe, one of the great scenes I’ve ever seen.
Marie Kreutzer’s new cinematic depiction of the life of the Empress, Corsage, is a punk rock rebel yell: angry, energetic, and intensely enjoyable.
The Woman King is a powerful tale of sisterhood and freedom; freedom from patriarchal influences, freedom from slavery.
In this report from the 2022 Toronto Film Festival, we look at two movies featuring some of the most intriguing lead actors working in the industry today.
In exploring how memory and creation are irrevocably entwined, Le Temps Perdu is an ideal tribute to Proust’s masterpiece and the readers who love it.
Amidst a sea of dull, insipid, even sadistic takes on the beautiful, suffering royal lady story we’ve seen, Corsage breaks like the sun through the clouds.
Both beautiful and brutal, Robert Eggers’ The Northman is a saga worth seeing.
Belfast is a film that will creep into the recesses of your mind, its upbeat music and deeply rooted examination of family and the journey unforgettable.
Out of the countless productions of The Scottish Play that exist, Coen definitely brings something new to the table.
Labyrinth of Cinema tells an empathetic and energetic story about the power of cinema to change the world — one that we would all do well to take in.
The Last Duel is a comfortable return to the medieval genre with tense battle sequences and an urgent takedown of a misogynistic system.