Hilary Swank
There are few surprises to be had in Fatale, a film bloated with talent but which lacks the chops to make good use of it.
Away is clearly built to inspire, a sense of inspiration feels even stronger and more emotional by the time you arrive at the finish line.
The Hunt is a textbook example of trying to force a story into a concept, rather than giving the story its due.
Boys Don’t Cry celebrates its 20th anniversary this year. Emily Wheeler examines its difficult past and troubling legacy
Twelve strangers wake up in a clearing. They don’t know where they are, or how they got there. They don’t know they’ve been chosen for The Hunt.
We spoke with Hilary Swank and Clara Rugaard, stars of the upcoming sci-fi thriller I Am Mother, about what makes this specific sci-fi so intriguing.
This year at Sundance there were six films from Australia, and we were able to catch three: I Am Mother, Top End Wedding and Little Monsters.
What They Had is an honest snapshot of a family during crisis, in all its inevitably chaotic shades – it’s exactly what you’d hope a movie about Alzheimer’s would be.
One of my most-anticipated films this year was Foxcatcher. Now that I saw it this past weekend, I will have a review for it soon, so be on the lookout! The anticipation of it got me thinking: