heist
We spoke with Brea Grant, writer/director of 12 Hour Shift, about the movie and her creative decisions, collaborations, and inspirations.
Upheld by two zestful leads, and polished production design, Lying and Stealing is almost the real thing, but oversells its value.
The Refuge keeps patient viewers hooked and film lovers invested by maintaining a harsh and eye-catching atmosphere and storytelling angle.
Stockholm is successful in doing the impossible – making the viewer understand and even empathize with the interpersonal connection between a hostage and her captor, and vice versa.
Finding Steve McQueen is an unfortunately dull heist film, bogged down by unnecessary subplots and a lack of overall energy.
The film’s attempts at multiple genres may not blend together, but the talented cast and direction by Chandor help raise it above its flaws.
Finding Steve McQueen, a fact-based heist movie, marks a distinct change of direction for writer/director Mark Steven Johnson. We spoke with him.
Widows is a thrilling, satisfying and breathtaking experience that toys with the conventions of the genre while bringing enough depth and surprises of its own.
Not bad but rather bland, The King of Thieves is too simply constructed to fully capitalise on its solid cast and compelling true-life crime story.
Blue Iguana is a fun throwback to 80’s action crime movies, aided by fantastic performances and a punchy script.
A fun-filled flick with an all-star cast of charismatic ladies having a blast; Ocean’s 8 is a stylish follow-up that captures the spirit of the original trilogy while still doing its own thing.
2007’s The Lookout boasts a talented cast, and manages to be fun while maintaining suspense – it’s a hidden gem that’s worth discovering.
With its sheer amount of ‘Straight to DVD’ film sensibilities, Den of Thieves is as generic as bank heist thrillers come, and at a bloated 2 and a half hour run-time as well.