Harry Potter
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Can epic fantasy work without the bond between a hero and their creatures at the forefront of the narrative?
Fantasy and sci-fi films push our suspension of disbelief regularly – but can we complain about them being unrealistic if this is pushed too far?
A form of political agenda has been present in film since the dawn of cinem, with YA adaptations like Harry Potter and The Hunger Games influencing a new generation.
One of the coolest fields of magic in Harry Potter is that of transfiguration: turning one thing into another. How does it relate to real life science?
If the Fantastic Beasts films are going to recapture the magic of Harry Potter, they need to focus on where their true magic lies, and that might be with one man named Jacob Kowalski.
In the 16th part of Fantasy Science, we are going to look at how the extendable ears from Harry Potter might work in the muggle world. Let’s begin.
The Crimes of Grindelwald introduces us to a plethora of new characters, attempts to do too much with them, and then, unfortunately, overly relies on the nostalgic factor of the original films.
The film adaptations only scratched the surface of JK Rowling’s world- the Harry Potter franchise needs a Game of Thrones style TV reboot.
Fantastic Beasts is a mostly satisfactory return to the world of Harry Potter, though it also suffers from confused and muddled plot-lines.