Haley Lu Richardson
Love At First Sight does retain a predictable nature, but by the film’s end, you will want the predictability.
Montana Story is a film that tries to do a bit too much, but a pair of great performances and a core story makes it worth looking past its faults.
Two estranged siblings return home to the sprawling ranch they once knew, confronting a deep and bitter family legacy against a mythic American backdrop.
Though dauntingly ambitious on paper, Unpregnant grounds itself in sincerity and provides laughs in spades while remaining genuine and respectful.
The Chaperone is a film that’ll be gone by the month’s end, swallowed by the studio system and erased by this year’s loaded summer season.
The teen melodrama may still be alive, but Five Feet Apart, the latest tragic YA romance, proves that it’s far from thriving.
With Support the Girls, Andrew Bujalski continues to grow as a filmmaker, creating a film where the genuine heart afforded to its characters doesn’t compromise the pragmatism of the worldview.
A wonderful debut from essayist Kogonada, Columbus is as much about slowing down and taking stock of your life as it is a slow burn in itself.
James McAvoy shines in M. Night Shyamalan’s latest, in which he portrays an array of characters as a man who suffers from dissociative identity disorder.