Hailee Steinfeld
Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting.
Miles Morales embarks on an epic adventure transporting Spider-Man across the Multiverse to join forces with Gwen Stacy and a new team.
Thus far, Marvel and Disney’s Hawkeye is proving to be an entertaining romp that doesn’t feel as bound by the MCU timeline.
Travis Knight’s Bumblebee is a surprisingly well-done action film that brings heart and friendship to the Transformer franchise.
As a stylistic achievement of world-building, the animated saga Spider-Man: Into The Spider-Verse is just bursting at the seams with an infectious energy that can barely be contained by a single film.
To successfully make a genre hybrid that satisfies the needs of both genres is one of the most difficult accomplishments in modern mainstream cinema – something made even more difficult when the genres being mashed-up together couldn’t be in a sharper contrast. There is no sharp contrast between the elements to The Keeping Room, director Daniel Barber’s attempt at a feminist revision of Sam Peckinpah’s tales of masculinity in crisis in the old West. A Peckinpah homage that pales in comparison to its influence Essentially, The Keeping Room is a hybrid between the classical Western and the home invasion thriller, with fantasias of violence depicted in a gruesome and shockingly heartless way that would have made the old master proud.
For most people Pitch Perfect wasn’t something they saw in the cinema. They watched in on DVD on a whim or chanced it after hearing about it from a friend. Released just as Anna Kendrick and Rebel Wilson’s careers were on the rise (and was possibly one of the films that gave them a leg up) it initially went under the radar, but as the years have passed the film has garnered great reviews and the Barden Bellas now have a huge fanbase.