Guy Pearce
The Convert is a movie quaking with trauma and suffering.
A soldier investigates a renowned Dutch artist who is accused of conspiring with the Nazis.
In spite of what the Memento’s legacy and promotional material may tell you, Lenny’s problem does not concern memory so much as it does truth.
Bloodshot attempts to do something “different”, but retains to many of the clichés its predecessors have befallen to.
Though fundamentally flawed, De Palma’s latest film Domino offers fleeting glimpses of greatness that the iconic director once achieved.
In Domino, a Copenhagen police officer seeks justice for his partner’s murder by a mysterious man.
Only two weeks into 2018, Swinging Safari is Australia’s worst film of the year thus far with its muddled need to elevate the material.
At the start of Andrew Bujalski’s latest film, Results, Danny (Kevin Corrigan) entreats his wife, Christine (Elizabeth Berridge), from the street below the open window of their New York apartment to let him back into the marital home. She closes the window, so he grabs its ledge in an attempt to pull himself up to and through the plate glass barrier. Danny, who carries Corrigan’s rosaceous, wan features, brittle hair, and generous paunch (sorry, Kevin), quickly drops to the ground.
Here at Film Inquiry, we were quite excited about The Rover. The trailer looked very promising; moreover, the movie was directed by famous and notorious director David Michôd. Famous for his hauntingly emotional scripts, notorious for the amounts of violence he tends to feature.
Robert Downey Jr. returns once more as the extravagant Tony Stark and Iron Man. In this third installment of this popular super hero franchise, Tony Stark faces a pretty tough terrorist with (really cool) super hero powers of his own.