gore
Let the Corpses Tan is an exhilarating and original work of wild genius that we’ve come to expect from directors Hélène Cattet and Bruno Forzani.
For all of its merciless violence, Puppet Master: The Littlest Reich is a clever exercise in genre thrills and impossibly twisted humor.
With Saw V, the Saw franchise firmly waved goodbye to logic, with plot contrivances that make the film closer to sci-fi than horror.
Saw IV goes even bigger than its predecessors, but with the loss of the franchise’s main writer, the story loses much of its oomph.
It’s not one of the horror greats that many people make it out to be, but Saw is crafty and ambitious enough to warrant a horror buff’s time.