Although its premise is one of the most outlandish in recent memory, Extra Ordinary grounds itself with witty exchanges and a visually pleasing aesthetic.
Kairo’s ghosts aren’t unearthly terrors, but rather memories of people lost, without names or faces, silently preparing themselves for an eternity of death.
Lacking the dirsired jump scares and trust in itself, Our House is a film that will now be stuck in limbo, too tame for modern horror audiences and not emotionally satisfying enough for others.