Germany
Katrin Gebbe’s Pelikanblut is a balance of dramatically written material and an underbelly of deliciously spooky horror.
Monos isn’t simply a film you watch, it’s an unflinching descent into chaos in the best way possible, haunting you long after the film has ended.
Ever week, we take a look at an LGBTQ+ film that gave their characters a romantic happily-ever-after. This week: the German film Silent Youth.
While Luz has all of the trappings of a horror film of yesteryear, it is clear that Tilman Singer is an exciting new filmmaker to watch.
Without the love and affection of its predecessor, nor does it have a sense of discipline or focus, Iron Sky: The Coming Race falls flat.
The Oscar-nominated Never Look Away shows signs of promise, but is let down by an epic scale that is never justified. Alistair Ryder reviews.
Three Peaks transforms the emotional labor of building a family, slowly building to a conclusion that feels both inevitable and horrifying.
Endzeit (Ever After) is a breath of fresh air to see that there can still be originality in a tired troupe, a refreshing take on the apocalypse.
In the Aisles takes audiences deep into the emotional lives of people who seem destined to hover on the periphery and highlights the beauty to be found there if one bothers to look.
The Silence is worth a watch because of Stanley Tucci alone, but if you crave a good film, just pick up a copy of A Quiet Place instead.
Ciro Guerra and Cristina Gallego’s Birds of Passage takes us to the Guajira Peninsula, a…
Transit cements Christian Petzold’s status as a modern storytelling master. A film of surreal, sad beauty, it should not be missed.
While groundbreaking or original, The Aftermath is worth seeing for the enticing performances and striking ambience that it establishes.
Second Sight’s revival of World on a Wire is vital for not only highlighting one of Fassbinder’s more underrated efforts, but for resurrecting one of the essential texts of science fiction.
A haphazard concoction of cliches with a sugary sweet coating, Berlin, I Love You lacks any of the qualities that make the titular city so special.