Germany
It is an unapologetically quirky indie with a big heart and some very valid points to make about the insidiousness of fascism.
The Sunlit Night its tale with a strange sense of quiet tranquility blended with underlying dismay without being cloying to its subject matter.
With just her voice and her eyes, Marlene Dietrich lays bare Lola’s body and heart in The Blue Angel – and we fall under her spell.
F.W. Murnau’s undeniable classic Nosferatu is a chilling, unsettling experience and a true case of mise en scène artistry.
The Wolf House uses stop-motion animation to render the world inside the titular house as an ever-evolving nightmare, and is completely immersive despite its freakiness.
From Murnau’s inventive visual storytelling to Jannings’ wonderful performance, The Last Laugh is the perfect film to begin one’s journey into the world of Weimar cinema.
Wilson Kwong reviews two more films from the Berlin International Film Festival: Schwesterlein and epic crime saga Berlin Alexanderplatz.
The conflicts at the heart of Synonyms will resonate deeply, thanks to Lapid’s deeply personal storytelling and Mercier’s fiery performance.
Romeos gets points for being one of the few films out there about a trans-man who gets a happy ending, but it is mired in unlikable characters who run the gamut of stereotypes.
Prolific German documentarian Thomas Heise returns with Heimat is a Space in Time. We spoke with the director ahead of the film’s release.
A story of heartbreak bandaged up by rebellion, System Crasher will wrench your heart out of your chest and stomp all over it.
Just as A Hidden Life is arguably Malick’s most directly religious film, it is also his most directly political and possibly by virtue of its subject matter, least poetic.
In our current political climate, A German Youth teaches a history lesson worth repeating.
Monique Vigneault settle down over tea with Ina Weisse to talk about her latest undertaking: The Audition, a portrait of a frayed music teacher at a prestigious Berlin academy.
My Zoe goes beyond expectations by delving into the emotional ruins of conflicting morality with such perfection, and proves Julie Delpy to be a truly remarkable filmmaker.