Germany
In our first report from the 2022 Heartland International FilmFestival we give you a taste of the festival!
The coming-of-age tale presented by Cocoon is not an idealized one that bears no resemblance to real life, but one that feels authentic in its pain and exhilaration.
Fear and paranoia are the perfect catalysts for mass panic in Natalia Sinelnikova’s We Might As Well Be Dead.
Amidst a sea of dull, insipid, even sadistic takes on the beautiful, suffering royal lady story we’ve seen, Corsage breaks like the sun through the clouds.
Even if you don’t remember Greece’s triumph at Euro 2004, you’re guaranteed to be moved by King Otto.
A beautiful film that reminds us that the personal is always political, Great Freedom will fill your heart even as it breaks it.
While elements of the setting and story may feel hauntingly familiar, Fabian: Going to the Dogs is a striking, singular film nonetheless.
On this Away From the Hyper, Sean Fallon takes a look at the 2006 horror-comedy Snakes on a Plane!
While Dumont’s France seems more interested in piling dramatic events on top of dramatic events, Seydoux is never less than masterful.
Spencer is fictitious, yet grounded in reality, a prolific examination of mental health through isolation and suffocation of tradition and restraint.
If you haven’t had the chance to see this Burton classic, there isn’t a better time than now to embrace the folklore of Sleepy Hollow.
With an eclectic cast and unique form of storytelling, The French Dispatch is one of the most light hearted ventures of the year.
Żuławski channeled his personal heartbreak into primal horror, and the result is a messy, marvelous movie.
Just like the movie-within-a-movie style Hansen-Løve uses to tell the story, her latest film is a layered, intelligent work full of reflection about art, life, and relationships.
Despite some predictable plotlines, it doesn’t take away from the quality, experience, and entertainment The Uninvited promises to its audience.