Gareth Edwards
The Creator’s many impressive technical qualities are entirely mishandled, their import put above what a movie really needs: a good story.
Described as a post-apocalyptic thriller involving a future impacted by a war between humans and AI.
Warner Bros. prepared the release of the first film in the MonsterVerse, Gareth Edwards’ Godzilla, on the 4K Ultra HD Blu-Ray format.
Enter for a chance to win one of five digital codes for Gareth Edward’s 2014 Godzilla!
We look back at the history of Godzilla, starting in the 1954 Japanese film, and why the character has had a lasting impact all these years later.
The view on the 1990s Star Wars prequels is synonymous with hubris, failure, and shoddy filmmaking, that is until Disney came into the picture and changed the image completely with its latest additions to the franchise Rogue One and Solo.
Despite initial scepticism, Rogue One: A Star Wars Story is a vividly presented and brilliantly executed standalone Star Wars film.
We knew things would change once Disney got a hold of Star Wars, and as utterly delightful as The Force Awakens was, it was basically the equivalent of clearing the first hurdle in a long race. After all, Disney operates under the ‘keep doing it until everyone hates it’ business model, and the company has made it abundantly clear that fans will be getting new Star Wars movies until they stop turning a profit. The thing is, that’s never been what Star Wars is.
The long anticipated 2014 edition of Godzilla has not been hailed too positively by the critics. I recognize its flaws, but ultimately, I found the movie to be an enjoyable and entertaining ride. Godzilla – or Gojira – is originally a Japanese concept within the Kaiju (“monster” or “strange creature”) genre.