gangster
Even though he hails from a nation renowned for its take on exploitation cinema, director John Hillcoat has repeatedly proven himself to be far more interested with the archetypes of American genre films. His international breakthrough feature, 2006’s The Proposition, was the perfect marriage of the sensibilities of Ozploitation and the most hard-boiled Westerns; for a country with no major cinema heritage, it suggested Hillcoat was a director who could put his nation firmly on the world cinema map. Instead of continuing this distinctive subversion of genre with his subsequent films, Hillcoat has become increasingly formulaic.
Every year, it is easier for audiences to grow more cynical as awards season comes ever-closer, with the plethora of middle-of-the-road “prestige pictures” being dumped by the truckload at multiplexes worldwide, to indifferent audiences who would prefer to watch a star war. For the standard movie fan, prestige season should be an embarrassment of riches, the best films of the year being released all at once like a smorgasbord of cinematic delights. But with each passing year, audiences have wised up to the cynical nature of these movies:
From the minute of its inception I had high hopes for Legend. An earlier attempt at a biopic of the infamous Kray twins has largely been forgotten, starring as it did the brothers from Spandau Ballet. But this one, starring Tom Hardy as both Ronnie and Reggie, with a plethora of great British actors in supporting roles, looked promising.
There is a right way and a wrong way to tell a gangster story. Some of the very best have utilized inventive camera techniques, are fueled by impressive acting talent, and are backed by an engaging, well-written screenplay. Black Mass attempts to be something great; yet, when thinking back to it, it’s likely only the acting that will be remembered.
Over at our official Facebook page , we are currently posting daily Film Recommendations, with each week being a different theme. The first theme is Stylish Gangster Films, crime films which are elevated by aesthetically appealing visuals and great alternative takes on the usual gangster film tropes. 1.
This is a continuation of “Beyond Hollywood’s Mafia” with more great gangster films from around the world. There’s a rich tapestry in this field to draw from, as films influence filmmakers, writers and directors making more and more fascinating movies about crime. Some directors may have already appeared in the first list, but all these titles are new and differ, one way or another from the first installment, enjoy!
Nowadays it’s fair to say “gangster films” are in a league of their own, no longer thought of as sub-genre of the action film. Thus freeing them to operate on an entirely new frequency in the model created by earlier classics such as The Godfather or Goodfellas. These movies are indeed classic but have you ever thought about organized crime outside of the United States?
Mobsters are trying to get a foothold in the City of Angels, and good cop John O’Mara (Josh Brolin) and his gangster squad come to the rescue. We are introduced to L.A.