Ozark’s sophomore season lives up to both critic and viewer expectations with a complex web of storylines and characters intricately placed to be the visual chess board TV has been waiting for.
Bleeding Steel is a chaotic and extravagant attempt to imitate the futuristic settings of other box office fare of its time, which only highlighted the throwback quality of the central character.
Aside from an occasional spark from Travolta, Gotti is a wholly derivative affair, and under Connolly’s guiding hand, a crudely executed and completely incoherent one at that.