By examining these two films, audiences can come to terms with why this struggle against business practices in America has felt so small in past films.
As the decade closes out, the push for female centric films and depth seems to be far from waning. These are some of the best female characters of the 2010s.
Jenkins, Gadot and company all worked admirably to bring the first Wonder Woman film out in a grand, exciting way, and that work has not gone to waste.
The spy-next-door genre seems to be showing its age. The idea of ordinary people in extraordinary circumstances fueled dozens of effective Hitchc*ck movies, several of them classics. There’s no reason, really, why it shouldn’t work as well now.