While The Crime is Mine doesn’t reach the lofty heights of the classic comedies that influenced it, it’s all too easy to enjoy such a screwball vision.
François Ozon attended the Chicago International Film Festival to promote By the Grace of God . Here’s what he had to say about the film, its reception, and its relationship to his career and life.
Andrew Emerson reports from the Chicago International Film Festival with seven reviews of big international festival hits and some smaller, indie gems.
Double Lover is a loving and surprisingly artful homage to the genre’s masters, equal parts a silly and stylish trashy erotic thriller with enough twists and turns to delight any mainstream audiences.